On the Rocks Sofa
Francesco Binfaré approaches furniture as a sculptor approaches form. On the Rocks is built on the conviction that a sofa need not be fixed, either in shape or in intention.
Its four independent seats, three polygonal and one quadrilateral, are hand-molded from Edra's proprietary Gellyfoam compound, a material that achieves both precise silhouette and deep, yielding comfort without any rigid internal armature. Two flexible backs accompany the seats, repositioned at will to shift the composition entirely.
The absence of a fixed structure is not a reduction but an expansion. Each arrangement reveals a different spatial logic, a different atmosphere. Geometry becomes an instrument of improvisation rather than constraint.
Original: $60,516.00
-65%$60,516.00
$21,180.60More Images
On the Rocks Sofa
Francesco Binfaré approaches furniture as a sculptor approaches form. On the Rocks is built on the conviction that a sofa need not be fixed, either in shape or in intention.
Its four independent seats, three polygonal and one quadrilateral, are hand-molded from Edra's proprietary Gellyfoam compound, a material that achieves both precise silhouette and deep, yielding comfort without any rigid internal armature. Two flexible backs accompany the seats, repositioned at will to shift the composition entirely.
The absence of a fixed structure is not a reduction but an expansion. Each arrangement reveals a different spatial logic, a different atmosphere. Geometry becomes an instrument of improvisation rather than constraint.
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Description
Francesco Binfaré approaches furniture as a sculptor approaches form. On the Rocks is built on the conviction that a sofa need not be fixed, either in shape or in intention.
Its four independent seats, three polygonal and one quadrilateral, are hand-molded from Edra's proprietary Gellyfoam compound, a material that achieves both precise silhouette and deep, yielding comfort without any rigid internal armature. Two flexible backs accompany the seats, repositioned at will to shift the composition entirely.
The absence of a fixed structure is not a reduction but an expansion. Each arrangement reveals a different spatial logic, a different atmosphere. Geometry becomes an instrument of improvisation rather than constraint.
