LC10 Bureau de la Semaine Paris
The LC10 Bureau de la Semaine Paris is a limited edition reissue that begins with a painting. Le Corbusier's 1926 canvas La Semaine à Paris is translated directly onto the desk's glass surface, where abstract motifs become a functional plane without abandoning the discipline of the original design.
Conceived through the collaborative sensibility of Le Corbusier, Pierre Jeanneret, and Charlotte Perriand, the LC10 has always carried the formal precision of the modernist interior. Chromed steel tubular legs, clean horizontal geometry, and carefully considered proportions remain unchanged. What shifts is the surface: a printed glass top that holds the language of painting within the structure of furniture.
The result is neither purely artwork nor purely object. It occupies the space between the two, asking the room around it to respond in kind.
Original: $11,022.00
-65%$11,022.00
$3,857.70More Images
LC10 Bureau de la Semaine Paris
The LC10 Bureau de la Semaine Paris is a limited edition reissue that begins with a painting. Le Corbusier's 1926 canvas La Semaine à Paris is translated directly onto the desk's glass surface, where abstract motifs become a functional plane without abandoning the discipline of the original design.
Conceived through the collaborative sensibility of Le Corbusier, Pierre Jeanneret, and Charlotte Perriand, the LC10 has always carried the formal precision of the modernist interior. Chromed steel tubular legs, clean horizontal geometry, and carefully considered proportions remain unchanged. What shifts is the surface: a printed glass top that holds the language of painting within the structure of furniture.
The result is neither purely artwork nor purely object. It occupies the space between the two, asking the room around it to respond in kind.
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Description
The LC10 Bureau de la Semaine Paris is a limited edition reissue that begins with a painting. Le Corbusier's 1926 canvas La Semaine à Paris is translated directly onto the desk's glass surface, where abstract motifs become a functional plane without abandoning the discipline of the original design.
Conceived through the collaborative sensibility of Le Corbusier, Pierre Jeanneret, and Charlotte Perriand, the LC10 has always carried the formal precision of the modernist interior. Chromed steel tubular legs, clean horizontal geometry, and carefully considered proportions remain unchanged. What shifts is the surface: a printed glass top that holds the language of painting within the structure of furniture.
The result is neither purely artwork nor purely object. It occupies the space between the two, asking the room around it to respond in kind.
