Copycat
Michael Anastassiades has long been preoccupied with the poetics of objects in proximity. The Copycat makes that sensibility visible: two spheres sharing the same space without quite touching, each one distinct in material and scale, each one dependent on the presence of the other.
The larger sphere is mouth-blown opal glass, diffusing light with an even, atmospheric warmth that neither glares nor recedes. Below it, a smaller solid aluminum sphere grounds the composition, absorbing rather than reflecting, casting a quiet shadow at the lamp's base. The contrast is deliberate. Form and counterform, weight and weightlessness, held in careful proportion.
- Hand-blown opal glass diffuser sphere
- Solid aluminum base sphere in gold finish
- Integrated LED light source
- Inline dimmer on power cable
An inline dimmer on the power cable allows the quality of light to shift with the moment. The gold finish reads as material conviction rather than ornament, consistent with Anastassiades's practice of choosing every detail for its compositional necessity.
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Copycat
Michael Anastassiades has long been preoccupied with the poetics of objects in proximity. The Copycat makes that sensibility visible: two spheres sharing the same space without quite touching, each one distinct in material and scale, each one dependent on the presence of the other.
The larger sphere is mouth-blown opal glass, diffusing light with an even, atmospheric warmth that neither glares nor recedes. Below it, a smaller solid aluminum sphere grounds the composition, absorbing rather than reflecting, casting a quiet shadow at the lamp's base. The contrast is deliberate. Form and counterform, weight and weightlessness, held in careful proportion.
- Hand-blown opal glass diffuser sphere
- Solid aluminum base sphere in gold finish
- Integrated LED light source
- Inline dimmer on power cable
An inline dimmer on the power cable allows the quality of light to shift with the moment. The gold finish reads as material conviction rather than ornament, consistent with Anastassiades's practice of choosing every detail for its compositional necessity.
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Description
Michael Anastassiades has long been preoccupied with the poetics of objects in proximity. The Copycat makes that sensibility visible: two spheres sharing the same space without quite touching, each one distinct in material and scale, each one dependent on the presence of the other.
The larger sphere is mouth-blown opal glass, diffusing light with an even, atmospheric warmth that neither glares nor recedes. Below it, a smaller solid aluminum sphere grounds the composition, absorbing rather than reflecting, casting a quiet shadow at the lamp's base. The contrast is deliberate. Form and counterform, weight and weightlessness, held in careful proportion.
- Hand-blown opal glass diffuser sphere
- Solid aluminum base sphere in gold finish
- Integrated LED light source
- Inline dimmer on power cable
An inline dimmer on the power cable allows the quality of light to shift with the moment. The gold finish reads as material conviction rather than ornament, consistent with Anastassiades's practice of choosing every detail for its compositional necessity.
